Rhythm and Meter category
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                 Emphasis on beats 2 and 4 in 4/4; core of rock, pop, funk feel. more 
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                                Consistent 2 & 4 with micro-variations; lock with bass and guitars. more 
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                                Primary pulse and its division (eighths, triplets, sixteenths); defines groove detail. more 
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                                2-3/3-2 clave, cascara; alignment rules inform Latin grooves. more 
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                                Standard baton patterns for simple/compound meters; aids ensemble cohesion. more 
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                                Very soft notes adding texture and motion without changing the main rhythm. more 
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                                Low-level notes fill subdivisions; add motion without overplaying. more 
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                                Metric reinterpretation (e.g., 3 groups of 2 against 2 groups of 3); barline blur. more 
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                                Switch accents across barlines to imply alternate meters. more 
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                                Intentional micro-variations in timing/velocity to restore feel after quantization. more 
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                                Tala cycles (teental, rupak), claps/waves, tihai endings for rhythmic cadence. more 
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                                Organization of beats; simple divides by 2 (2/4, 3/4, 4/4), compound by 3 (6/8, 9/8). more 
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                                Intentional ahead/behind placement; small deviations create feel. more 
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                                Groupings (e.g., 2+3, 3+2+2) make complex meters feel natural. more 
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                                Meters outside 2/4/3/4/4/4, often additive (5/8, 7/8, 11/8) with grouping patterns. more 
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                                Tight, consistent timing feel where rhythm section locks together. more 
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                                Different meters layered with shared downbeat cycle (e.g., 3/4 over 4/4). more 
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                                Simultaneous contrasting subdivisions (e.g., 3:2, 4:3). more 
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                                Layer conflicting pulses; practice with clapping/foot ostinatos. more 
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                                Aligning notes to a grid; from subtle tighten to hard quantize; beware loss of feel. more 
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                                Editor grid resolution; dictates snap/quantize behavior and edit precision. more 
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                                Triplet-based timing that delays offbeats; essential in jazz, blues, and shuffle rock. more 
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                                Tempo-dependent ratio (≈2:1 to 1.2:1); calibrate to drummer and style. more 
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                                Accenting weak beats/offbeats or tying across beats; adds forward momentum and surprise. more 
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                                Anticipations, suspensions, tied-over accents; create forward motion. more 
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                                Tempo is the rate at which music moves — the speed that defines how beats and bars unfold. In modern production it’s usually measured in beats pe... more 
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                                Plan push/pull across sections; use ritard/accelerando landmarks. more 
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